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Abstract
John Tamm The Campanian cities provide numerous wall-paintings with banqueting or banqueting-related imagery, in which the drinking silver tends to feature prominently. At first glance the silverware appears realistic, and the conclusion that the painters used contemporary vessels as models is tempting. However, a close examination of selected paintings, and comparison of the painted vessels to extant silverware of the first centuries BC and AD, shows that such a conclusion needs to be refined. Close parallels between actual and painted vessels are in fact rare; parallels of any kind tend to be rough at best, but often cannot be found. The painters, although providing a plausible representation of actual vessels, did not produce a photographic record. Article in volume 80, 2005, pages 73-89 Buy and download the article as PDF file
The other articles in volume 80, 2005: Nurettin Arslan Michael Donderer Conrad M. Stibbe Frank Vermeulen, Patrick Monsieur, Catharina Boullart, Helene Verreyke, Geert Verhoeven, Morgan De Dapper, Tanja Goethals, Rudy Goossens, Beata-Maria De Vlieghere T.D. Stek and J. Pelgrom, with a contribution by M. Roccia L.B. van der Meer, in collaboration with N.L.C . Stevens and H. Stöger Saskia Stevens Eric M. Moormann and Miguel John Versluys, with contributions by Tesse D. Stek and Ellen Thiermann Francisco Sirano Kees Peterse Daniele Malfitana, Jeroen Poblome and John Lund Maria Costanza Lentini |
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